Programme of the 3rd edition of Musiques de Rues, a festival of contemporary brass bands and artistic interventions in public space. Printed in 3 fluorescent colors + black, instead of CMYK

Catalog of the monographic exhibition of Gyan Panchal at the Musée d’art moderne de Saint-Étienne. The book presents the artist's works exhibited in three places, in Cajarc, Rochechouart and then Saint-Étienne. The work begins with blank pages, then a close-up section in low opacity, before varying the light and whiteness of the paper according to the three very different exhibition spaces. The book has an free back binding, and is slipped into a white paper case. 172 p

Annual programme for the season 2019-2020 of the Théâtre Paul Éluard, in Bezons.

Annual programme for the Théâtre musical de Besançon. For this second season I introduced gradients, transforming the colored pads into fuzzy clouds.

Programme of the 3rd edition of the festival Ici l’Onde, organised by Why Note in Dijon. 24 p.

Annual programme for the season 2013-2014 of the Scène nationale de Besançon.

Annual programme for the Théâtre musical de Besançon. This time I completely dropped ITC Bodoni, to compose the whole programme in Mononi. Gradients appear inside the text, thanks to the wonderful stochastic print of Simon Imprimeurs.

Catalogue of the exhibition “Archéologies contemporaines”, Musée du château des ducs de Wurtemberg, June – October 2012. 96 p.

Annual programme for the season 2022-2023 of the Théâtre Paul Éluard, in Bezons.

A non-rectangular catalogue of Cécile Meynier exhibition Vlan ! At the Château Pertusier. With Nicolas Bardey. 32 p.

Annual programme for the season 2017-2018 of L’Étincelle, Théâtre de la ville de Rouen. 104 p.

The visual identity of the Théâtre musical was based on an eye. In June 2012, the Scène nationale de Besançon joined two theatres, the Théâtre musical (Théâtre Ledoux, which interiors are all blue) and the Théâtre de l’Espace (all red), in one single institution. To communicate on this major change, I proposed to design a new identity in two spot colors, blue and red, and use anaglyphic glasses two see what’s happening in one place or the other: it was time to use both eyes. Text appears or disappears in the blink of an eye ! In the Pre-programme for the season 2012-2013, Nicolas Waltefaugle did a photo shoot in the stage decor workshop with the whole new team. Photographs are superposed too, to create mini-animations. 40,000 anaglyphic glasses were distributed with the booklets, and we even designed some fancy pairs with Adélaïde Racca. 32 pages