• 2013
  • Entrevues

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  • 2013
  • Entrevues

For the visual identity of the Film Festival Entrevues Belfort, I typographically tranposed the name of the event, inter-views, in a very literal way. This to evoke, of course, the cinematographic film.
Letters are cropped between multiple lines : I used the Open Source fonts League Gothic, by the League of Moveable Type, as a base for the all-caps custom typeface.

  • 2016
  • Tardy — Typeface

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  • 2016
  • Tardy — Typeface

Custom typeface for the Atelier d’architecture Tardy & associés, Besançon

  • 2009
  • Totema

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  • 2009
  • Totema

Totema is an encrypted character, adapted from the writing of the painter Klaus Ramka, who uses it in his own publications. It's up to you to unravel the mystery.
Produced with the help of Sébastien Truchet.

  • 2008
  • Funk Doubistes

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  • 2008
  • Funk Doubistes

Logotype for the Besançon crew Funk Doubistes, which organized some of the best parties in town.

  • 2013
  • Kantia — Typeface

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  • 2013
  • Kantia — Typeface

Custom typeface for Kantia, éditeur d’images in Saint-Jean-de-Luz

  • 2012
  • La Coursive

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  • 2012
  • La Coursive

La Coursive is a structure based in Dijon which supports companies in the cultural and creative industries. It is located in a singular building, where passageways, between the floors, give access to the apartments located above and below. To illustrate both this principle, the facade of the building, but also the circulation of knowledge and skills within this structure, I developed an Inline version of Garaje, where the letters are open and communicate with each other. With the help of Guillaume Delamarche, intern at the studio. Unpublished

  • 2009
  • Utopies & innovations — Typeface

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  • 2009
  • Utopies & innovations — Typeface

The Métropole Rhin-Rhône area has brought together several cities between France, Switzerland and Germany, connected in 2010 by a high-speed train line. To materialize this network, a major cultural operation was imagined, utopies & innovations. Under the general curation of Laurent Gerverau, these are 12 local themes, and dozens of exhibitions that are scheduled throughout 2010, around these concepts.
It seemed difficult to illustrate these concepts with a single image: also, I preferred to propose an alphabet, which constitutes the visual identity, and ensures the link between the multiple variations. It is used to compose the logotype, which was designed when the Metropolis had only 9 cities; they were symbolized by the 9 points that appeared in the words "utopias & innovations", like 9 points on a map, network, route ... The metropolis then moved to 16 cities, but the logo remained the same.

  • 2018
  • Kazuo

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  • 2018
  • Kazuo

Visual identity of Kazuo design showroom in Biarritz, France. https://kazuo.fr/showroom/

  • 2019
  • Starmania × be pôles

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  • 2019
  • Starmania × be pôles

Custom lettering for the French musical Starmania, by Michel Berger and Luc Plamondon (1979), coming back in 2021. Art direction: be-pôles Paris

  • 2010
  • La Rodia

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  • 2010
  • La Rodia

Logotype and custom typeface of La Rodia, concert hall in Besançon.