• 2013
  • TDC ECV

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  • 2013
  • TDC ECV

Identity and flyer for the exhibition of the Type Directors Club at ECV Paris, 2013. Typeset in Garaje, in various weights, widths and sizes, and one single stroke.

  • École de Création Visuelle, Paris
  • 148 × 210 mm
  • Offset, 2 colors
  • Typeface: Garaje
  • duotone
  • 2017
  • Bookster — Gulliver

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  • 2017
  • Bookster — Gulliver

Booksters are books to hang on the wall: the full text of great literature novels are printed on a single poster. Parisian agency Maartin developed the collection, using Minuscule typeface I designed, which is highly legible in very small sizes. They asked me to design one poster, and I chose Gulliver by Jonathan Swift : an obvious choice, which becomes a giant specimen for my typeface. Texts goes from 350 pt to 1 pt size. Poster available at www.thebookstershop.com

  • 2017
  • Les 2 Scènes — Programme

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  • 2017
  • Les 2 Scènes — Programme

Annual programme for the season 2017-2018 of Les 2 Scènes. The programme is developed in augmented reality : printed pages activate videos and online contents, via a specific app. 80 p.

  • 2015
  • MM — Albert André

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  • 2015
  • MM — Albert André

Catalogue of the exhibition “Albert André (1869-1954), itinéraire d’un peintre réaliste”, Musée du château des ducs de Wurtemberg, April – Sept 2015. 64 p.

  • 2017
  • Knuth Vs. Hofstadter

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  • 2017
  • Knuth Vs. Hofstadter

In 1982, few months after the publication of Donald Knuth article The Concept of a Meta-Font, Visible Language publishes Meta-Font, Metamathematics, and Metaphysics : Comments on Donald Knuth’s « The Concept of  a  Meta-Font », by Douglas Hofstadter, an american professor of cognitive sciences. His remarks bring nuances to Knuth’s conclusions, addressing the problem from another point of view. His investigations in typography, in the field of artificial intelligence, subsequently appeared in the Letter Spirit project, where he tried to develop a program that is capable of developing an entire alphabet from a few seed letters, based on a very coarse grid. Years later, when the concepts of parametric fonts, AI and deep learning applied to type design reappeared, Hofstadter’s ideas are still relevant. Talks (FR / EN) given in Istanbul during Istype 2017, on June 10, and at the Fonderie de l'image in Paris, on November 13, 2018. ANRTABCD, Letter K

  • Atelier national de recherche typographique, Nancy
  • Typeface:
  • ANRT
  • 2012
  • Un imprimeur : Lézard Graphique

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  • 2012
  • Un imprimeur : Lézard Graphique

Curation and organisation, with Vincent Perrottet, of the exhibition “Un imprimeur : Lézard Graphique”, presenting a selection of posters printed by the famous silkscreen workshop. With works of Karel Martens, Hennig Wagenbreth, Metahaven, Sarah De Bondt, Jean-Marc Ballée, Mathias Schweizer, Fanette Mellier, Frederic Teschner, åbäke, Office ABC, Ter Bekke & Behage, Helmo, William Jean, Pierre DiSciulio, Thomas Huot-Marchand, Lieux Communs, Flag, Pierre Béjan et Nicolas Ledoux… This traveling exhibition has later been presented in many places: Chaumont, Le Havre, Amiens, Auxerre, etc.

  • Ecole régionale des beaux-arts de Besançon
  • Typeface:
  • 2014
  • Hangar 23

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  • 2014
  • Hangar 23

Posters for Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music.

  • 2012
  • La Coursive

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  • 2012
  • La Coursive

La Coursive is a structure based in Dijon which supports companies in the cultural and creative industries. It is located in a singular building, where passageways, between the floors, give access to the apartments located above and below. To illustrate both this principle, the facade of the building, but also the circulation of knowledge and skills within this structure, I developed an Inline version of Garaje, where the letters are open and communicate with each other. With the help of Guillaume Delamarche, intern at the studio. Unpublished

  • 1998
  • La Cope

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  • 1998
  • La Cope

Flyer for La Cope, a cooperative shop run by students at the school of fine arts in Besan çon. Typeset in Antique Étroite.

  • École régionale des beaux-arts de Besançon
  • 100 × 150 mm
  • Typography, 1 color
  • Pierre Voisin workshop
  • Typeface: Antique Étroite
  • black & white
  • 2018
  • Les petits corps

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  • 2018
  • Les petits corps

Talk given at ENSBA Lyon on November 6, 2018. About ophtalmogy, compact typography, marionnettes and stencils. With Louis-​Emile Javal & William Addison Dwiggins, and documents from Bruce Kennett, Eric Kindel and Fred Smeijers. ANRTABCD, Letter D

  • Atelier national de recherche typographique, Nancy
  • Typeface: Minuscule
  • ANRT
  • 2009
  • Utopies & innovations — Typeface

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  • 2009
  • Utopies & innovations — Typeface

The Métropole Rhin-Rhône area has brought together several cities between France, Switzerland and Germany, connected in 2010 by a high-speed train line. To materialize this network, a major cultural operation was imagined, utopies & innovations. Under the general curation of Laurent Gerverau, these are 12 local themes, and dozens of exhibitions that are scheduled throughout 2010, around these concepts.
It seemed difficult to illustrate these concepts with a single image: also, I preferred to propose an alphabet, which constitutes the visual identity, and ensures the link between the multiple variations. It is used to compose the logotype, which was designed when the Metropolis had only 9 cities; they were symbolized by the 9 points that appeared in the words "utopias & innovations", like 9 points on a map, network, route ... The metropolis then moved to 16 cities, but the logo remained the same.

  • 2014
  • Automatic Type Design 1

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  • 2014
  • Automatic Type Design 1

Curation and organisation of the ANRT conference Automatic Type Design. ARTEM Campus, Nancy (France), May 6, 2014. With Jacques André (FR), Johannes Bergerhausen (DE), Frederik Berlaen (BE), Erik Van Blokland (NL), Simon Egli (CH), Alice Savoie (FR), Richard Southall (UK)… Design and website by Thomas Bouville. Automatic Type Design

  • Atelier national de recherche typographique, Nancy
  • Typeface:
  • ANRT
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