Thomas Huot-Marchand
Typographie
Design graphique

  • 2015

  • Zutique

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  • 2015

  • Zutique

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Visual identity of Zutique Productions (hip-hop, electro and world music) in Dijon. I designed a custom lettering and several patterns. Used as patchs, they form a Z in the middle of the posters. With the help of Samia Charef, intern at the studio.

  • 2009

  • Mégaphone

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  • 2009

  • Mégaphone

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Poster of the 1st edition of the festival Mégaphone, organised by Why Note and Zutique associations in Dijon. Typeset in a custom weight of Garaje, Ultra Black.

  • 2012

  • Ici l’Onde

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  • 2012

  • Ici l’Onde

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The poster for the 2012 edition is a photograph of a luminous text projected on a smoke screen.

  • 2012

  • Scène nationale de Besançon — Posters

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  • 2012

  • Scène nationale de Besançon — Posters

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Posters for the season 2012-2013 of the Scène nationale de Besançon. An image never appears alone: two are superimposed, one in blue, the other in red, which creates surprising encounters. Despite the huge diversity of the iconography, often provided by the companies, this radical treatment gives a global consistency to the series. These posters can be seen through anaglyphic lenses.

  • 2008

  • Calendario Groupama

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  • 2008

  • Calendario Groupama

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Custom lettering for the 2008 calendar of Groupama Assicurazioni (Roma, IT), in partnership with the French Academy in Rome – Villa Medici

  • 2020

  • Agence Adelfo Scaranello — MBAA 2

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  • 2020

  • Agence Adelfo Scaranello — MBAA 2

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This publication presents the architectural project of Adelfo Scaranello for the Musée des beaux-arts et d’archéologie de Besançon, which reopened in 2018. “From the outset, says Scaranello, one thing was clear: the convictions with which the architects Pierre Marnotte (1797- 1882) and Louis Miquel (1913-1986) had worked successively on this construction had gradually disappeared. […] Restoring the integrity of these architectures within a new project is not about historising but is a way of transforming the links between these two figures.” This 2nd volume shows the scenography of the Museum. Typeset in a modified version of GF Montserrat (OFL).
Photos by Nicolas Waltefaugle & Yohan Zerdoun. 56 p.

  • 2022

  • Bordures 2022

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  • 2022

  • Bordures 2022

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Poster for the 2022 edition of BORDURES Festival in Langon.

  • 2015

  • MM — Sarkis

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  • 2015

  • MM — Sarkis

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Catalogue of the exhibition “Sarkis, Les Pôles des aimants”, Musée du château des ducs de Wurtemberg, June 2014 – January 2015. 80 p.

  • 2018

  • Agence Adelfo Scaranello — MBAA 1

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  • 2018

  • Agence Adelfo Scaranello — MBAA 1

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This publication presents the architectural project of Adelfo Scaranello for the Musée des beaux-arts et d’archéologie de Besançon, which reopened in 2018. “From the outset, says Scaranello, one thing was clear: the convictions with which the architects Pierre Marnotte (1797- 1882) and Louis Miquel (1913-1986) had worked successively on this construction had gradually disappeared. […] Restoring the integrity of these architectures within a new project is not about historising but is a way of transforming the links between these two figures.” This 1st volume shows the museum empty spaces, during the construction. Typeset in a modified version of GF Montserrat (OFL).
Photos by Nicolas Waltefaugle & Yohan Zerdoun. 56 p.

  • 2013

  • Émergences

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  • 2013

  • Émergences

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Poster of the 6th edition of the festival Émergences, a week dedicated to young creation in Besançon. Matt Black + Gloss Black. Selected in Chaumont design graphique festival.

  • 2018

  • Les 2 Scènes — Programme

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  • 2018

  • Les 2 Scènes — Programme

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Annual programme for the season 2018-2019 of Les 2 Scènes. The programme is developed in augmented reality : printed pages activate videos and online contents, via a specific app. 80 p.

  • 2016

  • Les 2 Scènes — Programme

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  • 2016

  • Les 2 Scènes — Programme

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Annual programme for the season 2016-2017 of Les 2 Scènes. 80 p.

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